今年度の白山麓実習チームは、石川県金沢市にある「いしかわ四高記念公園＆本多の森公園」を核として、これらの公園を含む金沢城・兼六園文化ゾーンにてフィールドワークを実施しています。
中山間地域に位置する白山麓と、北陸の中核都市である金沢中心部では、特徴も課題も全く異なります。当然、“活性化”という言葉の意味も別物です。しかし、双方の“活性化”の現場を学ぶからこそ、“活性化”の意義や方向性など、その本質に気付かされる場面が多々あります。 第三回目のフィールドワークとなった11月26日は、金沢城・兼六園文化ゾーンの秋の装いを感じながら、兼六園の雪吊り、設置物の雪囲いといった厳しい冬への備え、またその備えを活かした『美』の追求について学ぶことが出来ました。同時に、ゾーンとして、この地をどう活用するかを考える機会にもなりました。以下、レポートです。
当日、金沢に到着したのはお昼前。金沢駅で軽食をとり、いざ金沢城へ。 城内にある管理事務所では、所長の藤村さんにご挨拶、今後のフィールドワークの進め方、特に金沢城・兼六園文化ゾーンのフェノロジーカレンダー作成について打合せを行いました。仮にポスターサイズのフェノロジーカレンダーを作るとしても、四季の移ろい、見所、それに文化行事やイベントなどを盛り込めば、相当の情報量になることが分かりました。記載することが無くて困ることはありませんが、情報の取捨選択など、一定のルールが必要ですし、想像していた以上に難しい作業になりそうだなぁと感じました。今回参加した冨高・永田は三回生です。来年もこのフィールドワークを引っ張る立場ですので、気を引き締めるキッカケにもなりました。 打合せの後、まずは兼六園へ。 何より感動したのは雪吊りです。 藤村さんのレクチャーにもありましたが、まさに洗練された「用と美」が体現されていました。積雪による庭木の枝折れを防ぐために考案された雪吊り〔人力〕ですが、遠くから眺めると金色の円錐が青空に向かって伸びているようです。奥に見える医王山の緑の山並み〔眺望〕が、雪吊りをいっそう強調し、輝きを与えます。大池の水面〔水泉〕に映る雪吊りも迫力がありました。雪吊り…〔宏大〕な兼六園の冬の華…ではないでしょうか。また、水面に張り出した唐崎の松の雪吊りや、根上がりの松の雄姿を見ると、庭師の方の努力と技を思わずにはいられません。相反するはずの〔人力〕と〔蒼古〕ですが、人の力で古き素晴らしきものを守る偉大さを知ることが出来ました。それでいて蓬莱島の佇まい、成巽閣のお庭など、すぐそこに観光客の賑わいがあるにも関わらず、静けさを湛える一角〔幽玄〕がある兼六園。その奥深さ。圧巻でした。 兼六園から本多の森公園に抜けると、はじめに目に飛び込んできたのは金沢に移転される東京国立近代美術館工芸館の外観です。周囲の景観にマッチするよう、元々近隣にあった「旧第九師団司令部庁舎」と「旧金沢偕行社」の建物をそのまま移築、屋内は工芸館として作り変えるという工事をしており、現時点では外観が完成しています。金沢城・兼六園文化ゾーンのポテンシャルがますます高まります。（辰巳用水の水管を使ったモニュメントが噴水していました！見られてラッキーでした！(写真)） ここからは本多の森、21世紀美術館の敷地の敷地を抜け、いしかわ四高記念公園に向かいました。平日の昼過ぎとあって園内の人は少なめ。夏のオクトーバーフェストの賑わい、今日のような癒し空間、いずれも公園の持つ表情であり、公園の管理者にとっては選択肢でもあります。多彩な表情を持つ公園だからこそ、管理する側の手腕、マネジメント力が問われます。非常に難度の高いお仕事をされている藤村さん、植村さん、中川さん。改めて尊敬です。 尾山神社を経由し金沢城に戻りましたが、神社とお城を繋ぐ「鼠多門」が来春竣工されると、長町武家屋敷～尾山神社～金沢城・兼六園～いしかわ四高記念公園～21世紀美術館～本多の森公園（東京国立近代美術館工芸館・石川県立博物館など）を結ぶ導線が完成することになります。金沢城・兼六園文化ゾーンが、一つの地域として大きな飛躍の時を迎えるのです。
私たちは、過去二回、そして今回のフィールドワークを通じ、金沢城・兼六園文化ゾーンが有する魅力を堪能するとともに、この地の持つパワーに感動してきました。白山麓実習で活性化を考えると、「パワーをどう生み出すか」が課題になります。しかし、金沢城・兼六園文化ゾーンでは、「パワーをどうコントロールするか」が、この地をより良く活かすポイントになっているように思いました。次年度以降、私たちは金沢城・兼六園文化ゾーンのフェノロジーカレンダー作成に挑戦します。このカレンダーも、パワーをコントロールする一助になればと考えていますし、地域の魅力発信の目玉とすべく、良いものを作れるよう努力したいと思います。
※改めて…今回のフィールドワークでも、金沢城・兼六園管理事務所所長の藤村さん、いしかわ四高記念公園＆本多の森公園の指定管理者である植村さん、中川さんにたくさんのレクチャー、サポートを頂きました。この場を借りて御礼申し上げます。
[November 26, field work was held at Kanazawa Castle and Kenrokuen Culture Zone]
Mainly, this year's Hakusanroku training team will be doing field work in Ishikawa Shiko Memorial Park & Honda-no-Mori Park, these are in the Kanazawa Castle and Kenrokuen Cultural Zone.
The features and issues are completely different between Hakusanroku, located in the hilly and mountainous area, and central Kanazawa, the core city of Hokuriku. Of course, the meaning of the word “activation” is different. However, there are many situations that we can find the essence of activations out, learning about both “activation” sites.
On November 26th, the third field work, feeling the autumn of Kanazawa Castle and Kenrokuen Cultural Zone, we learned preparations like Yukizuri (snow hanging) and cover of the installation there for killer winter and pursuit of the beauty making use of them.
At the same time, it became an opportunity to think about how to use this area as the cultural zone. Here is a report.
On the day, we arrived at Kanazawa before noon. Taking a snack at Kanazawa Station, we headed to Kanazawa Castle. At the administrative office in the castle we greeted Mr. Fujimura, the director, and discussed how to proceed with fieldwork in the future, especially about creating a phenology calendar for the Kanazawa Castle and Kenrokuen Cultural Zone. Even if a poster-sized phenology calendar was created, it was found that the amount of information would be substantial if the changes of the seasons, highlights, cultural events and events were included. Although we will never have difficulties that no events to list, we need rules that which event should be in or out of list, so we felt that the task would be harder than we had imagined.
Tomitaka and Nagata who participated this time are third-year students will be pulling this fieldwork next year, so it made them get a grip.
After the meeting, we went to Kenrokuen first. What impressed me most was the “Yukizuri” As Mr. Fujimura told us as a lecturer, they were exactly sophisticated “use and beauty”. Although it is a snow suspension designed to prevent garden tree branches from falling due to snow, the Yukizuri seem to golden cones extending toward the blue sky when viewed from a distance. The green mountainous view of Mt. Io visible in the back emphasizes the Yukizuri and gives it a sparkle. This on the surface of Oike was also powerful. This looks Kenrokuen's winter flower.
Once you look at them of Karasaki pine overhanging the surface of the water and the male figure of the pine of the roots, you can't help thinking of the efforts and skills of the gardener. From [Human power] and [ Souko, old fashioned and tasteful] which should be contradictory, we were able to know the greatness of protecting old and wonderful things with human power.
Although Kenrokuen is a place where you can enjoy the tranquility of the island, such as the appearance of Horaijima and the garden of Seisonkaku and the depth. It was a masterpiece.
From Kenrokuen to Honda-no-Mori Park, the first thing I saw was the exterior of the National Museum of Modern Art, Tokyo, which was moved to Kanazawa. In order to match the surrounding landscape, the buildings of the former Ninth Division Command Office and the former Kanazawa Kaikosha, which were originally in the vicinity, have been relocated, and the interior is being rebuilt as a crafts house. The appearance is complete. The potential of the Kanazawa Castle and Kenrokuen Cultural Zone will increase. (A monument using a water pipe for drinking water was fountained! We were lucky to see it!)
From here, we passed through Honda-no-Mori, the site of the 21st Century Museum of Art, and headed for Ishikawa Shiko Memorial Park. There are few people in the park because it is noon on weekdays. The bustle of summer Oktoberfest and the healing space of today, both expressions of the park are also an option for park managers. Because it is a park with a variety of facial expressions, the skill and management power of the management is be in question to managers. Mr. Fujimura, Mr. Uemura, Mr. Nakagawa who are doing very difficult work. I am respectful again.
Going back to Kanazawa Castle via Oyama Shrine. When the Nezumitamon connecting the shrine and the castle will be completed next spring, the way from Nagamachi Samurai Residence-Oyama Shrine-Kanazawa Castle, Kenrokuen Garden-Ishikawa Shiko Memorial Park-21 the lead connecting the Century Museum to Honda-no-Mori Park (National Museum of Modern Art, Tokyo, Ishikawa Museum, etc.) will be open. It means it going to be a great leap for the Kanazawa Castle and Kenrokuen Cultural Zone forward as one region.
We have enjoyed the charm of the Kanazawa Castle and Kenrokuen Cultural Zone through this field work twice in the past and realized the power of this area. Considering the vitalization in the training of Hakusanroku, “How to create power” is an issue. However, in the Kanazawa Castle and Kenrokuen Cultural Zone, I thought that “how to control power” was the key to making better use of this area. From the next year, we will challenge to create a phenology calendar for Kanazawa Castle and Kenrokuen Cultural Zone. I hope that also this calendar will help to control the power, and I want to make an effort to make a good one so that it can be a highlight of the local community.
- Again ... In this field work, Mr. Fujimura, Director of Kanazawa Castle and Kenrokuen Management Office, Mr. Uemura, Mr. Nakagawa, who are the designated managers of Ishikawa Shiko Memorial Park & Honda-no-mori Park, I received support. I would like to take this opportunity to thank your supports.
［11.26 가나좌와죠 켄로꾸엔문화 근처를 찾아 갔습니다.］
올학년도의 하꾸산로꾸 팀은 이시가와현 가나좌와시에 있는 「이시가와시고우기념공원&혼따노모리공원」을 중심으로 하여 공원응 포함한 가나자아죠 겐로꾸엔을 찾아갔습니다. 중산악지역에 위치하는 하꾸산로꾸와 호꾸리꾸에 중심부에 있는 가나자와는 특징과 과제는 전혀 다릅니다. 당연히 활성화라는 담겨진 뜻도 다릅니다. 그러나 양쪽의 활성화를 배우기에 활성화라는 의기랑 방향성 등 그 본질에 대하여 아는것이 많습니다. 3번째로 되는 현장가기 11.26 가나자와죠 겐로꾸엔 문화는 가을을 느끼고 이 곳을 어떻게 활용하는가 생각하는 계기가 되였습니다.
가나자와에 도착한것은 낮. 그리고 가나자와죠에. 성내의 관리사무소에서는 소장의 후지무라씨에 인사하고 앞으로의 방향 특히 가나자와죠 켄로꾸엔 문화 근처의 달력 작성에 대하여 예기하였습니다. 달력을 만들었다 한들 사계절의 특징 그리고 행사랑 이벤트를 넣으면 아주 많은 정보량이 되는것을 알았습니다. 기재하는 것이 많아 곤란하는 것은 없으나 정보의 우선순위 등 일정한 규칙이 필요하고 상상보다 어렵게 된다는 것이 예상된다. 이번에 참가한 도미따가와 요시끼는 3학년생 입니다.내연도 팀을 이끌어가는 맴버이기에 한층 의식을 올리는 것이 계기가 됩니다. 협의 후 겐로꾸엔으로. 무엇보다도 감동한것이 유끼주리였습니다. 후지무라씨의 강의에도 있었으나 참으로 세련된 용과 미가 체현되고 있었습니다. 적설에 인한 나무가지의 꺾어짐을 방지하기 위해 만들어진 유끼주리이지만 멀리서 보면 금색의 원추가 푸른 하늘을 향해 오르고있었습니다. 큰 연못에 반짝이는 유끼주리로 팍력이 있었습니다. 이것은 켄로꾸엔의 겨울꽃과 같이 안습니까. 켄로꾸에서 혼따노모리공원을 나가면 처음의 눈의 들어 온것은 가나자와에 이전되는 도꾜국립근대미술관공예간의 외관입니다. 주위의 경관에 맞게 본래 근처에 「구제구사단사령부청촌」과 「구가나자와가이도우샤」의 건축을 그냥 이축,안의 공예간으로 재건하는 공사를 하고 있어 현지점에서는 외관이 완성되고 있습니다. 가나자와죠 겐로꾸엔문화의 포텐샬이 더욱 높아집니다. 이제부터는 혼따노모리,21세기 미술관의 안을 나가 이시가와시고우기념공원을 향합니다. 평일날의 낮이기도 하기에 사람은 적었습니다. 여름의 오쿠터바훼스에 활기 오늘과 같은 치유공간 다 공원이 가지는 색이 있어 공원의 관리자에 있어서는 선택지이기도 합니다. 많은 색을 가지고 있는 공원이기에 관리자의 수완 마네지멘트 능력이 필요합니다. 정말 어려운 일을 하고있는 후지무라씨 우에무라씨 나가가와씨 다시 존경합니다.
우리는 과거 2번에 걸쳐 현장에 가 가나자와죠 켄로쿠엔문화의 매력을 느껴 여기의 파워를 느꼈습니다. 하꾸산로꾸 실습의 활성화를 생각하면 파워를 어떻게 만들어 내겠는가 과제가 될거 같습니다. 하지만 이 토지를 더 살리는 포인트라고 느꼈습니다. 내학년부터 우리는 가나자와죠 켄로꾸엔문화의 근처 달력을 작성하려고 합니다. 지역매력을 발신하고 잘하겠습니다.
이번현장가기에서도가나자와죠켄로쿠엔관리사무소소장인 후지무라시,이시카와요다카기념공원&혼다숲공원의지정관리자인 우에무라시,나카가와시한테서 많은 배움과 도움을 받았습니다.이자리를 빌려 감사합니다.
